1 min
AdHoc Studio

Dispatch (2025)

A playable-TV superhero workplace comedy that sharpens the Walking Dead-era Telltale formula: splendid art, dry humor, and voice work from Aaron Paul and Jeffrey Wright. Mecha Man loses the mech and becomes a behind-the-desk hero dispatcher across eight episodes.
Dispatch vertical poster

What makes Dispatch work is that it treats the superhero premise as an office job, not a power fantasy. Robert Robertson is still a hero, but the interesting part is that he’s been moved away from the action and into responsibility: assigning people, reading situations, dealing with personalities, and absorbing the fallout when the wrong call lands badly.

That is a much better use of the Telltale lineage than just another sequence of big choices and dramatic pauses. The fun is not only in choosing dialogue; it is in managing a team of damaged, funny, half-reformed people who might save the day if you understand them well enough.

The result feels less like an imitation of television and more like a confident animated series that happens to be interactive. Stylish, dry, well-acted, and built around a premise that keeps generating good jokes and actual tension.

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Dispatch is a superhero workplace comedy where choices matter. Manage a dysfunctional team of misfit heroes and strategize who to send to emergencies around the city, all while balancing office politics, personal relationships, and your own quest to become a hero. All episodes out now!
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